New York Gilbert & Sullivan Players: Utopia, Limited
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The season subscription offers you the flexibility to choose performance dates that fit your schedule and the price that suits your budget. Secure the best seats at a great discount and exchange them with no fees throughout the season. Orchestra $297; Rear Orchestra and Front Balcony $198.
The Yeomen of the Guard
Saturday, October 25, 2025 2 PM & 7:30 PM
Sunday, October 26, 2025 3:00 PM
H.M.S. Pinafore
Saturday, January 10, 2026 2 PM & 7:30 PM
Sunday, January 11, 2026 3:00 PM
Saturday, January 17, 2026 2 PM & 7:30 PM
Sunday, January 18, 2026 3:00 PM
Utopia, Limited
Saturday, April 18, 2026 2 PM & 7:30 PM
Sunday, April 19, 2026 3:00 PM
New York Gilbert & Sullivan Players Subscription 2025-2026
Subscribe to New York Gilbert & Sullivan Players 2025-26 Season and save 25%The season subscription offers you the flexibility to choose performance dates that fit your schedule and the price that suits your budget. Secure the best seats at a great discount and exchange them with no fees throughout the season. Orchestra $297; Rear Orchestra and Front Balcony $198.
The Yeomen of the Guard
Saturday, October 25, 2025 2 PM & 7:30 PM
Sunday, October 26, 2025 3:00 PM
H.M.S. Pinafore
Saturday, January 10, 2026 2 PM & 7:30 PM
Sunday, January 11, 2026 3:00 PM
Saturday, January 17, 2026 2 PM & 7:30 PM
Sunday, January 18, 2026 3:00 PM
Utopia, Limited
Saturday, April 18, 2026 2 PM & 7:30 PM
Sunday, April 19, 2026 3:00 PM

Not seen on the NYGASP stage in 15 years, Utopia, Limited satirizes British imperialism, politics, and the craze for modernization. Set on the fictional island of Utopia, the story follows King Paramount's decision to reform his kingdom by adopting British institutions and customs. Chaos and comedy ensue as the Utopians try to imitate Victorian ideals, exposing the absurdities of both cultures. Artistic Director James Mills directs a brand new fully staged production of Gilbert & Sullivan’s penultimate work. Contemporary playwright and critic George Bernard Shaw raved that he “enjoyed the score of Utopia more than that of any of the previous Savoy operas.”